Tag Archives: education
Christy Yael-Cox does laugh as she checks the time and speeds down the 10 East, en route to Palm Springs and one of the closest National Theatre Live screenings of Kenneth Branagh’s Macbeth.
This year in particular has given Christy a lot to reflect upon. As CEO and producing artistic director of Intrepid Shakespeare Company, she has navigated the company through one of its most diverse production years, which also saw the introduction of the year-long Encinitas Library Reading Series as well as the new summer youth program, Camp Intrepid.
2013 was also a critically acclaimed year for Intrepid: all three of the company’s mainstage productions received “Critic’s Choice” in San Diego. All three were directed or co-directed by Christy.
Now, immersed in pre-rehearsal mode for Macbeth, the Season Four finale and – perhaps not coincidentally – the 13th production on Intrepid’s roster, she propels herself forward into the next chapter of the theatre company she runs with husband Sean Yael-Cox.
What’s on tap? Among other things, there’s the announcement of the Season Five set list (“some Shakespeare, some comedy” is all she will reveal), a commitment to another year of monthly readings at the library, and an expansion of the education program to include – oh yeah – prison time.
“There are those things in your life where at a cellular level everything says yes,” says Christy. “This is one of those things.”
Back when Intrepid began, Christy and Sean had a meeting with the director of San Diego Youth Services to discuss implementing a Shakespeare curriculum into the juvenile prison system. Since the kids there are required to be in school, the idea is that part of their Language Arts learning can happen by getting up and acting out some theatre, specifically Shakespeare.
“I understand on a personal, visceral level how redemptive it is to work through your own stuff through these plays and these characters,” says Christy, who, even though she spends most of her time directing these days, started her theatre career acting. “I think it’s empowering. I do. I think it’s life-changing.”
While this was always the goal, now seems like the right time to move forward with the idea, starting in juvenile detention centers and then to one day moving into adult prisons.
“What’s amazing is how successful these programs have been across the country in reducing recidivism,” she says. “I believe in this so much.”
This program will join an overwhelming roster of programs Intrepid has already implemented over the past four years. In addition to full seasons of mainstage productions, the company now hosts a monthly staged reading series, an education tour that has performed in over 50 schools and for over 35,000 students, an internship program with the students at San Dieguito Academy, fall and spring classes for adults, and the recently created summer drama camp.
“I love creating something from nothing,” she says. “Camp Intrepid was built from nothing. The idea for the school tour happened at my kitchen table at 2 a.m. while the kids were sleeping.”
As the mother of two, Christy understands that much of Intrepid’s movement has to be accomplished on the go or in the middle of the night. She is never without her iPhone, capturing bits of creative inspiration in the notes app throughout the day and reading dramaturgy research while putting the kids to bed at night. Taeya, 8, and Bodhi, 2, are no strangers to the theater, sometimes accompanying their mother to rehearsals where they are doted on by actors before finding quiet corners for naptime or tea parties.
It is evident with speaking with Christy that ‘Mom’ is her favorite role and that the idea of forming a theatre company was so appealing because she knew it would allow her to prioritize her family time. While it may seem as though this idyllic setup was always the big picture plan, Christy’s path from her childhood in Edmonton, Alberta, Canada to now helming one of San Diego’s formidable young theatre companies was not entirely a straightforward journey.
Firstly, she admits to being the black sheep in the family (“No one else does theatre”). Her theatre roots were formed at The Citadel, Edmonton’s premiere theatre house, where she was taking classes when she was barely in school and was cast as a fairy in a production of A Midsummer Night’s Dream at the age of six.
“I was doing it already, so my parents thought they should put me in classes,” she says and laughs. “I remember that audition for Midsummer was very rigorous.”
And even though she claims her directing work for Intrepid is her first, the truth is that there was a tragic play about a broken valentine at Glenora Elementary School, which she may or may not have written, cast, directed, costumed, and starred in.
“I was a really nerdy kid,” says Christy.
Surprisingly, some of the turns in her path also include things like leaving behind a career in investment banking (“The myopic focus on the accumulation of wealth was unhealthy for me”), an unexpected move to Los Angeles to study at the American Academy of Dramatic Arts (“I always thought I would go to New York”), and finally discovering a shared vision of theatre with someone who would eventually become her husband.
“The thing that Sean and I both knew was that Shakespeare could be done better,” she says of their first conversations. “We knew that it was more exciting than what we were seeing everywhere else. We couldn’t understand why people weren’t making it as exciting as it was.”
“The elements we were passionate about in respect to why we wanted to start the company we found in King John,” says Christy, who often circles back to the company’s mission to present Shakespeare in an accessible, immediately relevant, and meaningful way. In Intrepid code, that translates to honoring the text and keeping the plays modern.
“It’s about telling the story in the best possible way,” she says, and then recites what has become her own directorial mantra: “Keep going back to the text. Go back to the text. The answers are always in the script, which is the reassuring thing. Shakespeare is a very trustworthy playwright.”
King John inspired the critics, and not only because it had been 42 years since the play last saw light on a San Diego stage. The U-T ‘s James Hebert called it “a bracing and fast-moving thriller.” Martin Jones Westlin of SD CityBeat surmised that “as long as Intrepid stays the course, its claim to Shakespearean excellence will follow.”
The early critical love may have set up some lofty expectations, but Christy is more reflective when considering her first directorial foray.
“The actors did a wonderful job,” she says, “but looking back there’s probably a lot of things I would have changed. Part of my problem is that I’m a perfectionist.”
But the perfectionism follows on the heels of collaboration, and one of the things that inspires Christy when she directs is the co-creation that happens between her and the actors.
“The best thing I can do is trust my actors and the very best thing I can do is treat it as an ensemble,” she says. “Our brains together will create the best possible product.”
“I’ve worked with Christy several times now,” says Tom Hall, who played the title role in King John and has since been cast in many roles at Intrepid. “One of the things I love about her is the room she gives you as an actor. It’s always a collaboration with her. She lets you know from the very beginning that your input counts. That’s one of the most generous things a director can give an actor.”
“This is going to sound corny,” says Christy, “but the part that I like the most about directing is being of service to the actors. It’s trying to make the actors the best version of themselves. I’m literally just there to make everyone great.”
As Intrepid wraps up 2013, it is obvious that this approach has served the company well. This year, productions maneuvered seamlessly from Shakespeare to Mamet to musical – with Christy at the helm of each one.
Hamlet was the company’s fourth production in their new home in SDA’s multi-million dollar performing arts center in Encinitas. Including this play as the finale of Season Three was a decision that neither Christy nor Sean, who played the title role, took lightly.
“Hamlet is hard because, first of all, it comes with way too much pressure attached to it,” Christy says. “There the, ‘Holy crap, you’re doing Hamlet! Don’t screw up Hamlet!’”
How to sidestep the pressure of producing Shakespeare’s most intimidating play?
“You’d be surprised,” says Christy, “but Sean and I tried not to talk about it beforehand.”
This is not actually that surprising given the fact that Sean and Christy give little regard to anything that causes hesitation in general. “Intrepid” not only refers to the manner in which they interpret Shakespeare, but also the manner in which they approach the work: fearless, fast, and undaunted. For them, this means spending little time worrying and more time researching and making pilgrimages throughout Southern California to see screenings and productions of the Bard.
This also means always, always, going to the text for answers about which lens through which to tell the tale.
“I think the thing that I loved about Hamlet was that it’s a really accessible story,” says Christy. “Ultimately, it’s about a family. It’s also so brilliantly, brilliantly, brilliantly written. There were times when I was sitting in rehearsal thinking, ‘I can’t believe I get to sit here and listen to these words.’”
Hamlet was set in the 1930s, which is the first time Intrepid chose a particular period of history as a setting. Christy felt it was right because of how the women were treated in the play. But the decision was not made to inspire empathy for the females. The decision was made on behalf of the men.
“It changed your perception of the men if it was set today, from my very 21st century feminist perspective,” she explains. “So for me it was helpful to move to the earlier part of the 20th century, which didn’t make their actions right. It just made them more commonplace.”
“Christy gets the psychology right, whether it’s that of individuals, couples, families, or armies,” says Danny Campbell, who played Polonius and has also been acting with Intrepid since their inaugural production of Macbeth. “She can bring convincing life to the stage because she has that insight into the human heart and mind. She knows what makes people tick.”
Among the critical acclaim was Pam Kragen’s observation in U-T, an apt reiteration of Intrepid’s mission and probably music to Christy’s ears: “…articulate, honest and contemporary…Intrepid’s Hamlet truly honors the words of Shakespeare and, at the same time, makes sense in today’s world.”
On the heels of Hamlet were rehearsals for the Season Four opener, Oleanna, and Christy laughs as she recalls the dramatic shift that had to occur between shows, not only with the tone, but also with the physical space. While Hamlet boasted a cast of 13, Oleanna is a two-hander. Where Hamlet was done broadly on a three-sided thrust stage, Oleanna was set up intimately in the round. Of course, moving from the language of William Shakespeare to that of David Mamet also presented its own set of challenges.
“I walked into the first day of rehearsal and said ‘All I know about this play is that it’s going to feel like we’re falling down a rabbit hole, and I promise you that we’re going to make it out the other side,” says Christy of her first conversation with her Oleanna actors, Fran Gercke and Rachael VanWormer. Even though Mamet’s writing can be “tricky,” she says, it is also like discovering a code – one that she knew the three of them would have to unlock together.
“I think the actors who are really invested in solving the problems and who participate in the process have a better end result. They’re not robots and if I treat them like robots then we’re not going to get the best, most evolved version of the play.” She pauses. “I could be wrong,” she says. “David Mamet would probably disagree with me.”
Regardless of what Mamet might think, the product delivered. In The Reader, Jeff Smith called Intrepid’s Oleanna the “best acted” production of the play he had seen. “Gercke and VanWormer are both excellent,” he said. “Their tandem work is truly impressive.”
Fran, who played John, credits Christy with this sense of unity and co-creation.
“The most striking qualities of her direction and leadership are her patience and generosity,” he says. “She’s always willing to listen, to patiently guide, to eagerly collaborate. It’s a unique and rare combination in any director – confidence and humility.”
“We had standing room only and super full houses at the end of the run last summer. It was a brand new thing that, for all intents and purposes, I made up in my head, so I wanted to give it the chance to evolve,” says Christy.
The show involves intertwining Shakespeare’s woodland comedy with music from the 1960s, a pairing that turned out to be tremendously successful and inspiring for both the directors and the actors.
“We learned really early on with King John how well modern music underscores Shakespeare plays,” Christy explains. “We’ve had amazing soundtracks with every Shakespeare play we’ve done which led to the evolution of the musical.”
The Examiner called it “one of the most innovative success stories of a theatre company.” Jeff Smith agreed, saying “this musical deserves a long life after this excellent production” and encouraged Intrepid to “take it on the road.”
Midsummer ran in tandem with the first appearance of Camp Intrepid, a summer camp run by Sean and Intrepid Artistic Associate Erin Petersen featuring youth programs in Shakespeare and musical theatre. By day, the theatre was filled with kids working on improvisation activities and pirate musicals. By night, audiences would stream in to enjoy a little Bard-inspired doo wop by the professionals.
Needless to say, when Midsummer closed in late August and camp sessions came to an end, Sean and Christy finally found time to do the things they had been putting off all year – like sleep.
“It’s encouraging to us when we have people who believe in what we’re doing and want to be a part of it,” says Christy. “It means the absolute world to us, because we do work ridiculously hard. We work harder than anyone could imagine.”
Sean agrees, and is quick to give props to his wife. “Intrepid’s productions have been a great success both critically and with audiences and that is specifically due to Christy’s directing, leadership, and artistic vision.”
The hard work has certainly paid off. There is already a ten-year plan in place and neither Sean nor Christy has any intention of slowing the pace of the company’s breakneck growth.
Of course, looking back on the little girl who once produced an entire valentine tragedy in grade school, it isn’t entirely that surprising.
“All the things in the past,” says Christy, “you don’t realize it at the time, but all of these things connect. You only know it when you’re looking back.”
– Tiffany Tang
Macbeth will open in January 2014. Tickets available now.
“Break a leg,” she says.
Moments later, she is welcoming the audience to the first ever Camp Intrepid performance, courtesy of the Young Actors Theatre Camp.
Erin, who serves as Intrepid’s internship program director, has been mentoring and teaching a small group of 8-15 year-olds for the past week, along with Artistic Director and Director of Education, Sean Cox. Today marks the campers’ final performance: a costumed, choreographed and thoroughly rehearsed production of a pirate musical for parents and friends.
“I told them if they had a real solid final dress [rehearsal], I’d do the makeup thing,” says Erin, commenting on her penciled-in mustache.
As the audience mills about the theatre finding seats that provide ample room for filming and picture-taking, many are unable to contain their enthusiasm for Camp Intrepid.
“Kenzie loves it, loves it, loves it…triple loves,” says Corrie Anderson, whose eight-year-old daughter is trying theatre camp for the first time, having never participated in drama classes or productions before. “She’s so sad that it’s over. The time flies by.”
Carlsbad resident Whitney DeSpain, whose daughter Abby, 9, plays one of the larger parts in today’s show, agrees.
“Abby adores it,” she says. “She’s having the best time and she loves Erin.” Somewhat of a theatre veteran already, having performed in numerous productions around town, Abby finds the Camp Intrepid experience extremely engaging.
“In fact, she liked it so much, we signed up for the next week of it,” says Whitney.
As the audience settles, Erin takes her seat on the edge of the stage in case she needs to do any last minute prompting during the show. Set against the backdrop of a giant pirate flag, the campers enter the stage and begin a tale of buried treasure, new friendships, and the fun of finding the “pirate” in all of us. Halfway through, the kids burst out in a high seas song and dance number. The audience laughs at pirate puns and tears up when the group of wandering pillagers sings about home.
Two songs, one dance number, and one swordfight later, the cast – beaming with pride – takes their bows to riotous applause.
“They did an amazing job,” gushes Erin post-show. “I couldn’t have had better group of kids. Really, they were fabulous and so willing to do whatever we asked them to do.”
When commenting on the impact of theatre camp on a child’s academic and social life, Erin cannot say enough, although each time she speaks, she is interrupted by one of her young actors tackling her with a bear hug or shouting far-off strains of “Thank you, Miss Erin!”
“It’s just having fun,” Erin begins before the first hug comes in. “But it’s also very validating for the kids. They create a character and work on something together as a team –“ (Bear hug.) “ — and then they have that moment where they show it to people and surprise people with how much they did –“ (Bear hug.) “– in a short amount of time.” (“Thank you, Miss Erin!”)
“They might not think this is a career opportunity,” Erin continues once the hug-waves have subsided, “but the skills they learn in these camps are things they can use in many aspects. We work on tools like voice and movement and articulation, for example. If you are giving a report in front of class, you’d have to use those skills.”
Thanks to a community grant from the City of Encinitas and the Mizel Family Foundation, more students than ever will be able to participate in the camp experience and develop these critical skills. Full and partial scholarships are available for potential campers on a first-come, first-serve basis. (Download an application form.)
Marie-Laure Wagner-Hunsaker, who attended theatre camp when she was young because she was “too shy,” understands the value of this camp experience. “The camp trainers were actors and I remember very clearly the [theatre] exercises we did. I was super excited and super happy when Ari told me about the camp exercises he was doing here. I remember them.” Her son, Ari, 12, brought a little French accent to his part, and proved to be one of the most comedic actors in the bunch.
“Kids recognize the quality of the experience,” Marie-Laure continues. “They work very hard but it’s very fun. Ari says they laugh all day long.”
“This week surpassed my expectations,” says Sean Cox, who couldn’t be happier with the campers’ enthusiasm in this inaugural week of summer camp. “It’s great to discover that we are filling a niche in North County for professional theatre training for kids,” he says.
When cornered by parents about the possibility of offering year-round theatre classes, Sean smiles thoughtfully. “If there’s enough interest, we would be more than happy to continue classes in the winter,” he says. “Right now, we are just thrilled with the response.” — T.T.
Registration for a limited number of spots in upcoming Camp Intrepid sessions is still open, including the two Musical Theatre Camps (The 25th Annual Putnam County Spelling Bee and You’re a Good Man, Charlie Brown) and the Shakespeare Camp. Sessions run through August 16.
Please email ChristyYael@intrepidshakespeare.com for more information about Camp Intrepid scholarship applications.
How does a summer full of playing Shakespeare, creating stage makeup masterpieces, and mastering stage combat choreography sound? Or perhaps putting together a musical number is more your style? A little improvisation or dance? Or maybe watching your technical vision of a show come to life with one of the most state-of-the-art lighting grids in the city?
If you are between the ages of 8 and 18, your summer of theatre fun starts with Intrepid Shakespeare Company!
CAMP INTREPID lands in Encinitas this month, hosted by the San Dieguito Academy Foundation and the critically-acclaimed professional theatre company. Sessions begin June 17 in Shakespeare, Musical Theatre, Backstage, and Theatre Showcase for Young Actors. And now, Intrepid Shakespeare is pleased to announce that there are full and partial scholarships for summer campers, courtesy of City of Encinitas and Mizel Family Foundation Community Grant Program! (Interested campers should apply immediately using the CAMP INTREPID Scholarship Form, as the number of scholarships is limited.)
“We know how important it is to provide the younger generation with access to the arts,” said Producing Artistic Director Christy Yael. “We just want to be sure that we are reaching everyone who is interested and give them the opportunity to be involved.” Artistic Director Sean Cox has been equally clear about the importance of Intrepid’s mission to expose students to the arts, attributing his lifelong involvement in the theatre to interests that were nurtured at summer drama camps. “We know what kind of memories and experiences they can build,” he said.
Joining Intrepid’s core of teaching artists, visiting professionals from the Old Globe, La Jolla Playhouse, Lamb’s Players Theatre, and other major regional theatre companies will also teach specific sessions in a variety of theatrical areas, including fight choreography, stage makeup, movement, and audition technique. Each camping session ends with a performance.
Due to popular demand, Intrepid has also announced that an additional Musical Theatre Camp has been added to the summer schedule. High school-aged drama students have the opportunity to rehearse and perform 25th Annual Putnam County Spelling Bee, while the younger drama campers (ages 8-16) can now participate in an earlier summer session which will culminate in a performance of the musical You’re A Good Man, Charlie Brown.
Registration is now open for the following sessions:
Young Actors Theatre Camp
Hours: 9am to 3pm
June 17-21; July 8-12; July 15-19
In a fun and creative environment, campers develop theatre skills, gain confidence and develop social skills through collaboration and performance. Professional teaching artists lead classes focused on acting, singing, scene study, fight choreography, dance, improv, stage makeup, and mask work. The week will culminate in a showcase performance for friends and family. The campers will be divided into two age groups: 8-11 & 12-15. This is the perfect week-long camp for students with varying degrees of theatre experience, from zero to intermediate.
Early Drop-off and Extended Day Programs are available for the Young Actors theatre camp. You may pay in person by cash or check on the first day of camp but you must pre-register for these extra services. Campers may be dropped off as early as 8:00am and must by picked up by 5:00pm.
Early Drop-Off / Weekly rate $40 ($8/day) or $10 drop-in
Extended Day / Weekly rate $50 ($10/day) or $15 drop-in
For more details about the early drop-off and extended day programs, please visit the Frequently Asked Questions page.
Musical Theatre Camp:
“You’re A Good Man Charlie Brown”
Hours: 9am to 3pm
July 22 – Aug 2
Duration: Two Weeks
Campers will be cast in and rehearse a musical (You’re A Good Man Charlie Brown) that will be performed at the end of the two week session. Throughout the rehearsal process, professional guest artists will be brought in to mentor and work with the campers on audition technique, acting a song, character movement, dance and more. The professional guest artists hail from such organizations as La Jolla Playhouse, The Old Globe Theatre, Moonlight Stage Productions, Lamb’s Players Theatre, and Cygnet Theatre.
Musical Theatre Camp:
“25th Annual Putnam County Spelling Bee”
Hours: 9am to 3pm
Duration: Two Weeks
Campers will be cast in and rehearse a musical (25th Annual Putnam County Spelling Bee) that will be performed at the end of the two week session. Throughout the rehearsal process, professional guest artists will be brought in to mentor and work with the campers on audition technique, acting a song, character movement, dance and more. The professional guest artists hail from such organizations as La Jolla Playhouse, The Old Globe Theatre, Moonlight Stage Productions, Lamb’s Players Theatre, and Cygnet Theatre.
Shakespeare Camp: ”Romeo and Juliet”
Hours: 9am to 3pm
July 22 – Aug 2
Duration: Two Weeks
Campers will be cast in and rehearse a Shakespeare play (Romeo and Juliet) that will be performed at the end of the two week session. Throughout the rehearsal process, professional guests artists will be brought in to mentor and work with the campers on fight choreography, advanced acting, voice and speech, character movement, audition technique, and more. The professional guest artists hail from such organizations as The Old Globe Theatre, La Jolla Playhouse, Kingsmen Shakespeare Company, Texas Shakespeare Festival, and Intrepid Shakespeare Company.
Don’t forget to apply for available scholarships! See you all this summer!
Intrepid Co-Founder Sean Cox is no stranger to introducing kids to Shakespeare. As Intrepid’s Education Director, he takes a troupe of professional actors to perform in schools on a regular basis. No matter what level of exposure the students have had, there is always one reaction to Intrepid’s school tour performances: enthusiasm.
“For most of the students, it’s their first Shakespeare play,” says Sean. “But the students are always engaged and laughing and positive throughout the performance. It’s great for the actors, too. Everyone leaves in a good mood.”
Capitalizing on this enthusiasm, Intrepid Shakespeare has partnered with San Dieguito Academy and the City of Encinitas to create a very special selection of offerings for kids this summer – not just one day workshops, but entire weeks of theatre immersion. Sponsored by the San Dieguito Academy Foundation, CAMP INTREPID will feature four different tracks: Young Actors Theatre, Shakespeare, Musical Theatre, and Backstage Camps.
The summer offerings are a long-awaited collaboration between Intrepid and San Dieguito Academy, an extension of their already successful internship program, which has been in place since Intrepid’s residency began there in 2010. Currently, Intrepid Artists work with interns during the year to create a student version of Intrepid’s mainstage show. This gives students the chance to interact with professional actors and technical directors and put together a culminating performance at the end of the internship. Taking this into a summer program is the next step in theatre education in Encinitas.
“A lot of the kids are looking for summer opportunities, but there’s nothing really in Encinitas that is available, or the cost associated with it is really high,” says Stephanie Siers, San Dieguito Academy’s drama teacher. “Our goal is to offer something that is closer to home and affordable, but still has the same quality that some of camps that are available elsewhere in San Diego.”
“Plus,” she adds, “everyone wants to get up and work on the grid,”
“The grid” to which she refers is a technically-advanced lighting grid which crowns the mainstage theatre space at the $9 million SDA Performing Arts Center. Aptly labeled the “centerpiece” of the San Dieguito Academy campus, the Performing Arts Center boasts both a beautiful, 200-seat indoor theater as well as a state-of-the-art rehearsal space, both designed by performance hall connoisseur architect John Sergio Fisher.
Since its opening in the fall of 2011, both SDA and the City of Encinitas have been searching for opportunities to make this space more available to the community, and Camp Intrepid has provided that outlet.
With the residency of Intrepid Shakespeare as the city’s first professional theatre company, local theatre patrons have been able to enjoy professional performances in the Performing Arts Center throughout the year. Camp Intrepid will provide even more opportunities to bring the arts into the neighborhood through this facility, and the city is eager to support that development.
“One of the 2013 Commission for the Arts goals is to have the community use the new Performing Arts Center at San Dieguito Academy in the summer, when school is not in session,” says Jim Gilliam, arts administrator for the City Manager’s Office. “The first summer arts program to be offered is by Intrepid Shakespeare—we could not be more pleased.”
Beginning June 17 and running through August 19, Intrepid Shakespeare will host a variety of summer theatre arts sessions for a wide spectrum of ages. Thus far, the camps offered will include a Young Actors Theatre Camp (ages 8-15), a Musical Theatre Camp and a Shakespeare Camp (prior experience required, ages 14-18), and a Backstage Camp (ages 14-18). All of the sessions will culminate in a performance and will feature guest artist teachers from local professional theatre companies.
Among the many performing techniques students will experience are audition coaching, movement and dance, and fight choreography, in addition to acting and textual work. Technical campers will have access to the advanced theater facilities, including the state-of-the-art tension grid used for mounting lights that hovers high over the performance space.
Mrs. Siers also hopes that students from the community will discover the opportunities available at San Dieguito Academy by participating in the Summer Theatre Camp and utilizing the facilities. “Our school is known for having an emphasis on the arts,” she explains. “This will be a great opportunity for students to be in our space, meet new people, and to work with the Intrepid Artists.”
Intrepid’s co-founders could not be happier about exposing more kids to Shakespeare and theatre through these summer sessions.
“It’s really inspiring for us who have made this our career to see the younger generation enthusiastic and passionate about theatre and performance and Shakespeare,” says Sean.
While Intrepid will run the theatre camps during the day, they will also be in full production on A Midsummer Night’s Dream: the Musical, their second show of Season Four, which will rehearse and perform in the evenings. To the City, this presents the perfect marriage of encouraging and celebrating theatre arts.
“The community will participate in daytime theatre camps for children and youth, and in the evening, enjoy performances in the Liggett Theater by our professional theatre company,” says Jim Gilliam. “This new partnership could not be possible without the assistance of the San Dieguito Academy Foundation and the school administration. We hope more arts programs will come online for this summer and are working with local arts organizations.“
“This camp is really an extension of us reaching out into the community,” says Sean. “Ever since we moved to Encinitas, we knew this was something we wanted to do.”
He adds, “Most of us took some sort of drama camp when we were younger, so we know what kind of memories and experiences that can build.” — T.T.
For more information and to register for Camp Intrepid, click here. Camps will be held on the campus of San Dieguito Academy, 800 Santa Fe Drive, Encinitas. June 17 – August 16. One or two week sessions, depending upon track. Ages 8-18.
If you ever wondered what life might have been like as an actor in Shakespeare’s time – with the company performing one show while rehearsing another while building sets for yet another – you need look no further than the rigorous morning schedule of Intrepid Shakespeare Company’s Education Tour.
This particular Tuesday tour day begins at 8:30 am on the campus of La Jolla Country Day. This particular company of actors includes Education Director and Intrepid Co-Founder Sean Cox, and Education Artists Scott Farrell, Brian Mackey, Erin Petersen, and Savvy Scopelleti. They assemble quickly, coffee in hand, and begin the well-practiced routine of unloading cars, assembling sets, organizing costumes, and running lines. The first performance on the docket: A Midsummer Night’s Dream for the 5th and 6th grade classes at 9:30 am.
Most may not realize the level of production value that arrives with the Intrepid Education Tour. For each performance, three flats are constructed onsite, which, once overlaid with a canvas backdrop hand-painted by artist George Weinberg Harter, set the stage for the action that will unfold. Each show is fully costumed. In fact, the actors will change three or four times in this production of Midsummer – a daunting feat given the 50-minute runtime.
This first hour of the day is spent in this set construction and costume preparation, accompanied by familiar banter and line rehearsals while the actors each carry out their individual component of this well-oiled machine. This is probably one of the most requested performances, and each company member understands his or her place in the choreographed dance of the school tour load-in.
All too soon, students begin to enter the auditorium. Some are intrigued by the new set on stage, some are doubtful about what they are about to watch. Teachers say that most students are surprised when they discover that they like Shakespeare. “When they see it come to life, they are like ‘Oh, cool!,’” says Kathy Hirsch, who teaches 7th and 8th grade English. Today, Mrs. Hirsch dons a velvet cape and lines her hair with Titania-inspired flowers, greeting the assembled students with “Isn’t it fun to play dress up?” This line receives a wave of cheers and Sean steps forward to introduce the play. The first questions to the students are always the same: “How many have seen a Shakespeare play before?” and “What do you think ‘Intrepid’ means?” To the first, a smattering of hands rise from the crowd. To the second, responses ranging from “fast” to “happy” and finally “daring, bold, fearless.”
Midsummer begins with Sean crowning a student sitting in the front row, thus casting him as Theseus, the character to whom he and the other actors will address their initial woes. Soon, we are in the forest, and Sean, once suited as Aegeus, now dresses in a neon green elf-suit for his role as Puck. Erin Petersen, as Hermia, also doubles as Peter Quince, the head of the Mechanical acting troupe. Brian Mackey, as Lysander, also has more than a few laughs as Bottom, while Scott Farrell steps into the roles of Demetrius, Francis Flute, and Oberon. Lastly, Savvy Scopelleti dons horn-rimmed glasses for Helena, an eccentric feathered mask for Titania, and lion headgear for Snug the joiner.
“It’s important for the students to see live theatre,” whispers Mrs. Hirsch, barely audible over the giggles Sean is getting with his Puckish antics. “We love building it into the school day because we want them all to be exposed.”
The young audience continues to be delighted by the antics of the actors onstage, especially vocal when Brian, bedecked in a donkey-eared newsboy cap, performs a ‘donkified” rendition of One Directon’s “That’s What Makes You Beautiful.” During the post-show Q&A, he explains his choice: “The actor playing Bottom in Shakespeare’s time would have performed whatever the most popular tune of the day was. So, I get to choose each time whatever song I think would work.” The other actors comment that they actually never know what song he is going to be singing in the middle of the show, although Brian admits, “I usually ask Erin.”
Mere minutes and umpteen quick changes later, the play is complete and the questions start flying. “Where did you get the donkey hat?” “How do you memorize all of those lines?” and “What are the links between Shakespeare and classical Greece?” The cast answers them in stride, each responding according to his or her own knowledge and experience. Scott, who also gives classroom presentations on medieval and Renaissance history through his Chivalry Today educational program, explains how artists of the late 1500s were enamored with the Classical culture of Greece and Rome, and used its themes as inspiration for their painting, poetry, and drama. At the end of the session, a pre-show question is repeated: “How many of you have seen a Shakespeare play?” And at this point, of course, everyone gets to raise their hands.
As the students depart, the cast reassembles, quickly draping luxurious red fabric over the canvas flats and revealing a built in “window” center stage which will play as a balcony. Next on the docket: Romeo and Juliet for the 7th and 8th graders at 11:30 am. Costumes are re-organized and Scott takes the cast through the stage combat sequences – everyone seems to be involved in one, as apparently, when you are doubling and tripling roles in Romeo and Juliet, the chances of being involved in a Verona street brawl are very high. Erin takes a moment to whack a prop knife against her palm in an effort to get the “blood” inside to drain properly. Sean checks to make sure his Mercutio tattoo sleeves can’t be seen under his Lord Capulet suit coat. Lines are run again during this transition period and again, almost too soon, students are filing into the auditorium.
This is an eager bunch, and student Arielle Algaze grabs a front row seat. “I saw Hamlet twice,” she says immediately, referencing Intrepid’s most recent mainstage production. While she admits that Romeo and Juliet is not her favorite play (“that’s King Lear”), she also states emphatically that Mercutio is her favorite character in the canon because of his humor. “He is an interesting and uniquely funny character.” When asked if she and her classmates are looking forward to the performance, she thinks for a moment and then responds. “To put something on stage and to evoke something from an audience takes risk,” she says. “So, I think theatre is something everyone should be exposed to.“
This “one-hour traffic” of the lovers’ tragedy begins and Erin and Brian immediately evoke nervous giggles and calls of “woooo” when they share their first kiss on the dance floor. Swordfights ensue – cautiously, due to the proximity of the audience – and before long, Nurse has wept, Friar has waxed philosophical, Mercutio has fallen, and the Capulet tomb is laden with bodies. Applause erupts and the actors quickly gather their thoughts for another round of questions from the crowd.
“Understanding Shakespeare is really empowering for the students, especially when it is relevant to their lives,” says fifth grade teacher Angela Lathem-Ballard, who has studied teaching techniques at the Globe in London and introduces Shakespeare into her classes on a regular basis. “Studying these plays and watching these performances gives kids a safe entrance into the arts – kids who would never take a risk normally.” As if on cue, a group of students who are studying Macbeth in class decide they would like to perform the witches’ scene for the actors. The aspiring thespians show off their skills and the actors respond with enthusiastic cheers as the last “fire burn and cauldron bubble!” echoes through the auditorium.
The future Shakespearean starlets disperse, and the actors begin the breakdown of the set – again, a well-rehearsed dance where everyone has a part. Even though the performances are done for the day, the work is not. As the actors gather their sets and props, they rehearse lines for the newest addition to their school tour lineup, Hamlet, which will be performed in Los Angeles in two weeks’ time. A scene perhaps not so dissimilar from Shakespeare’s original company of King’s Men: curtains are folded, flats dismantled, and costumes boxed while strains of “to be or not to be” flow through the now empty theatre. — T.T.
For information on the Intrepid Education Tour or the upcoming Camp Intrepid this summer, click here or email firstname.lastname@example.org.