Tag Archives: Camp Intrepid
When someone says “theatre camp,” there are certain ideas that immediately spring to mind: fun, friendship, laughter, marshmallows. Erin Petersen, however, one of the main teachers of last summer’s inaugural sessions of Camp Intrepid, offers a different idea.
“Drama camp is a safe sanctuary where kids will be praised for thinking outside of the box,” Erin says. “Kids can be super hard on themselves about their performance and how they feel, especially now with everyone being bullied. The theatre is a creative place to go to escape from that pressure.”
Camp Intrepid represents the evolution of Intrepid Shakespeare’s Education Department, which currently includes year-round school tours and seasonal adult classes taught by local theatre professionals, including Intrepid Artistic Directors Sean and Christy Yael-Cox and special guest artists, like comedic actor Phil Johnson.
Last summer, Sean and Christy were overwhelmed by the positive response from both campers and parents to the first camp sessions of the summer. Some kids even enrolled in multiple sessions in order to continue their theatre experience.
“She’s addicted,” said Whitney DeSpain, of her daughter Abby’s interest in theatre, which grew even more during her multiple camp sessions. Abby was recently invited to perform in A Christmas Carol, Intrepid’s 2013 Staged Reading Series finale at the Encinitas Library.
Because of the wild popularity of the summer camp, Intrepid has created a winter incarnation of Camp Intrepid’s Young Actors Theatre Camp, with sessions starting January 10 and February 21 at the Encinitas Community Center. The winter camp will meet Friday afternoons and will run for five weeks. As with the summer camp, each session will culminate in a performance. (Click here for registration information.)
While it may seem daunting, putting together an entire show in such a short amount of time is exhilarating for campers, says Erin.
“The kids almost seem surprised at how good their shows go. There is always that moment of wondering if it’s going to be a train wreck and then realizing that, no, they’re actually really good at it.”
“It goes to show how much these kids care,” she continues. “This summer, the campers really took it upon themselves to know their character, their lines, and have it all motivated to make their end product the best it could be.”
While the admiration in Erin’s voice is clear, she is also adamant that it is not the performance that is the most important part of the theatre camp experience. It is the tools the campers learn to use while rehearsing and performing that matter.
“Everything we work on shows up in all different aspects of life,” she says. “For instance, public speaking, teamwork, confidence-building are all tools you can use even if you don’t choose to do theatre in the future.”
For that reason, kids of all theatre experience levels are welcome, and the balance of the newcomers with the more seasoned actors provide a chance for campers to learn from each other as well as from their professional teachers. This diversity made the summer productions sing – both literally and metaphorically.
“A lot of the campers had done some musical theatre, but in every camp there was at least one or two kids who had never done it before,” explains Erin. “There was always one or two who were terrified on the first day. Eventually, they rose to every challenge that we threw at them, and there was a lot – costumes, sets, tech. We try not to take away the magic of the theatre, but rather show them what’s behind the curtain, and how we use these tools to put it together.”
In turn, Intrepid also learned about its own ability to run a theatre camp, which – just like theatre – came with its own set of surprises.
“No matter how much you prepare, you are never prepared,” laughs Erin. “The unthinkable will always happen – for instance, bee stings. But we were able to roll with everything.”
Now Intrepid is eager to take their summer offering a step further, perhaps inspired by one young camper who announced he would be starting a petition for year-round drama camp.
“The camp surpassed our expectations,” says Sean, who is also Intrepid’s Director of Education. “We were all amazed at how much the kids could accomplish in such a short amount of time. Now we see that people are asking for it so we will do our best to deliver.”
– Tiffany Tang
Located at the Encinitas Community Center, 1140 Oakcrest Park Dr, Encinitas, CA 92024. Fridays 3:30p – 5:00p, Session One: Jan 10 – Feb 7; Session Two: Feb 21 – Mar 21; Cost: $190/session. Register here.
Christy Yael-Cox does laugh as she checks the time and speeds down the 10 East, en route to Palm Springs and one of the closest National Theatre Live screenings of Kenneth Branagh’s Macbeth.
This year in particular has given Christy a lot to reflect upon. As CEO and producing artistic director of Intrepid Shakespeare Company, she has navigated the company through one of its most diverse production years, which also saw the introduction of the year-long Encinitas Library Reading Series as well as the new summer youth program, Camp Intrepid.
2013 was also a critically acclaimed year for Intrepid: all three of the company’s mainstage productions received “Critic’s Choice” in San Diego. All three were directed or co-directed by Christy.
Now, immersed in pre-rehearsal mode for Macbeth, the Season Four finale and – perhaps not coincidentally – the 13th production on Intrepid’s roster, she propels herself forward into the next chapter of the theatre company she runs with husband Sean Yael-Cox.
What’s on tap? Among other things, there’s the announcement of the Season Five set list (“some Shakespeare, some comedy” is all she will reveal), a commitment to another year of monthly readings at the library, and an expansion of the education program to include – oh yeah – prison time.
“There are those things in your life where at a cellular level everything says yes,” says Christy. “This is one of those things.”
Back when Intrepid began, Christy and Sean had a meeting with the director of San Diego Youth Services to discuss implementing a Shakespeare curriculum into the juvenile prison system. Since the kids there are required to be in school, the idea is that part of their Language Arts learning can happen by getting up and acting out some theatre, specifically Shakespeare.
“I understand on a personal, visceral level how redemptive it is to work through your own stuff through these plays and these characters,” says Christy, who, even though she spends most of her time directing these days, started her theatre career acting. “I think it’s empowering. I do. I think it’s life-changing.”
While this was always the goal, now seems like the right time to move forward with the idea, starting in juvenile detention centers and then to one day moving into adult prisons.
“What’s amazing is how successful these programs have been across the country in reducing recidivism,” she says. “I believe in this so much.”
This program will join an overwhelming roster of programs Intrepid has already implemented over the past four years. In addition to full seasons of mainstage productions, the company now hosts a monthly staged reading series, an education tour that has performed in over 50 schools and for over 35,000 students, an internship program with the students at San Dieguito Academy, fall and spring classes for adults, and the recently created summer drama camp.
“I love creating something from nothing,” she says. “Camp Intrepid was built from nothing. The idea for the school tour happened at my kitchen table at 2 a.m. while the kids were sleeping.”
As the mother of two, Christy understands that much of Intrepid’s movement has to be accomplished on the go or in the middle of the night. She is never without her iPhone, capturing bits of creative inspiration in the notes app throughout the day and reading dramaturgy research while putting the kids to bed at night. Taeya, 8, and Bodhi, 2, are no strangers to the theater, sometimes accompanying their mother to rehearsals where they are doted on by actors before finding quiet corners for naptime or tea parties.
It is evident with speaking with Christy that ‘Mom’ is her favorite role and that the idea of forming a theatre company was so appealing because she knew it would allow her to prioritize her family time. While it may seem as though this idyllic setup was always the big picture plan, Christy’s path from her childhood in Edmonton, Alberta, Canada to now helming one of San Diego’s formidable young theatre companies was not entirely a straightforward journey.
Firstly, she admits to being the black sheep in the family (“No one else does theatre”). Her theatre roots were formed at The Citadel, Edmonton’s premiere theatre house, where she was taking classes when she was barely in school and was cast as a fairy in a production of A Midsummer Night’s Dream at the age of six.
“I was doing it already, so my parents thought they should put me in classes,” she says and laughs. “I remember that audition for Midsummer was very rigorous.”
And even though she claims her directing work for Intrepid is her first, the truth is that there was a tragic play about a broken valentine at Glenora Elementary School, which she may or may not have written, cast, directed, costumed, and starred in.
“I was a really nerdy kid,” says Christy.
Surprisingly, some of the turns in her path also include things like leaving behind a career in investment banking (“The myopic focus on the accumulation of wealth was unhealthy for me”), an unexpected move to Los Angeles to study at the American Academy of Dramatic Arts (“I always thought I would go to New York”), and finally discovering a shared vision of theatre with someone who would eventually become her husband.
“The thing that Sean and I both knew was that Shakespeare could be done better,” she says of their first conversations. “We knew that it was more exciting than what we were seeing everywhere else. We couldn’t understand why people weren’t making it as exciting as it was.”
“The elements we were passionate about in respect to why we wanted to start the company we found in King John,” says Christy, who often circles back to the company’s mission to present Shakespeare in an accessible, immediately relevant, and meaningful way. In Intrepid code, that translates to honoring the text and keeping the plays modern.
“It’s about telling the story in the best possible way,” she says, and then recites what has become her own directorial mantra: “Keep going back to the text. Go back to the text. The answers are always in the script, which is the reassuring thing. Shakespeare is a very trustworthy playwright.”
King John inspired the critics, and not only because it had been 42 years since the play last saw light on a San Diego stage. The U-T ‘s James Hebert called it “a bracing and fast-moving thriller.” Martin Jones Westlin of SD CityBeat surmised that “as long as Intrepid stays the course, its claim to Shakespearean excellence will follow.”
The early critical love may have set up some lofty expectations, but Christy is more reflective when considering her first directorial foray.
“The actors did a wonderful job,” she says, “but looking back there’s probably a lot of things I would have changed. Part of my problem is that I’m a perfectionist.”
But the perfectionism follows on the heels of collaboration, and one of the things that inspires Christy when she directs is the co-creation that happens between her and the actors.
“The best thing I can do is trust my actors and the very best thing I can do is treat it as an ensemble,” she says. “Our brains together will create the best possible product.”
“I’ve worked with Christy several times now,” says Tom Hall, who played the title role in King John and has since been cast in many roles at Intrepid. “One of the things I love about her is the room she gives you as an actor. It’s always a collaboration with her. She lets you know from the very beginning that your input counts. That’s one of the most generous things a director can give an actor.”
“This is going to sound corny,” says Christy, “but the part that I like the most about directing is being of service to the actors. It’s trying to make the actors the best version of themselves. I’m literally just there to make everyone great.”
As Intrepid wraps up 2013, it is obvious that this approach has served the company well. This year, productions maneuvered seamlessly from Shakespeare to Mamet to musical – with Christy at the helm of each one.
Hamlet was the company’s fourth production in their new home in SDA’s multi-million dollar performing arts center in Encinitas. Including this play as the finale of Season Three was a decision that neither Christy nor Sean, who played the title role, took lightly.
“Hamlet is hard because, first of all, it comes with way too much pressure attached to it,” Christy says. “There the, ‘Holy crap, you’re doing Hamlet! Don’t screw up Hamlet!’”
How to sidestep the pressure of producing Shakespeare’s most intimidating play?
“You’d be surprised,” says Christy, “but Sean and I tried not to talk about it beforehand.”
This is not actually that surprising given the fact that Sean and Christy give little regard to anything that causes hesitation in general. “Intrepid” not only refers to the manner in which they interpret Shakespeare, but also the manner in which they approach the work: fearless, fast, and undaunted. For them, this means spending little time worrying and more time researching and making pilgrimages throughout Southern California to see screenings and productions of the Bard.
This also means always, always, going to the text for answers about which lens through which to tell the tale.
“I think the thing that I loved about Hamlet was that it’s a really accessible story,” says Christy. “Ultimately, it’s about a family. It’s also so brilliantly, brilliantly, brilliantly written. There were times when I was sitting in rehearsal thinking, ‘I can’t believe I get to sit here and listen to these words.’”
Hamlet was set in the 1930s, which is the first time Intrepid chose a particular period of history as a setting. Christy felt it was right because of how the women were treated in the play. But the decision was not made to inspire empathy for the females. The decision was made on behalf of the men.
“It changed your perception of the men if it was set today, from my very 21st century feminist perspective,” she explains. “So for me it was helpful to move to the earlier part of the 20th century, which didn’t make their actions right. It just made them more commonplace.”
“Christy gets the psychology right, whether it’s that of individuals, couples, families, or armies,” says Danny Campbell, who played Polonius and has also been acting with Intrepid since their inaugural production of Macbeth. “She can bring convincing life to the stage because she has that insight into the human heart and mind. She knows what makes people tick.”
Among the critical acclaim was Pam Kragen’s observation in U-T, an apt reiteration of Intrepid’s mission and probably music to Christy’s ears: “…articulate, honest and contemporary…Intrepid’s Hamlet truly honors the words of Shakespeare and, at the same time, makes sense in today’s world.”
On the heels of Hamlet were rehearsals for the Season Four opener, Oleanna, and Christy laughs as she recalls the dramatic shift that had to occur between shows, not only with the tone, but also with the physical space. While Hamlet boasted a cast of 13, Oleanna is a two-hander. Where Hamlet was done broadly on a three-sided thrust stage, Oleanna was set up intimately in the round. Of course, moving from the language of William Shakespeare to that of David Mamet also presented its own set of challenges.
“I walked into the first day of rehearsal and said ‘All I know about this play is that it’s going to feel like we’re falling down a rabbit hole, and I promise you that we’re going to make it out the other side,” says Christy of her first conversation with her Oleanna actors, Fran Gercke and Rachael VanWormer. Even though Mamet’s writing can be “tricky,” she says, it is also like discovering a code – one that she knew the three of them would have to unlock together.
“I think the actors who are really invested in solving the problems and who participate in the process have a better end result. They’re not robots and if I treat them like robots then we’re not going to get the best, most evolved version of the play.” She pauses. “I could be wrong,” she says. “David Mamet would probably disagree with me.”
Regardless of what Mamet might think, the product delivered. In The Reader, Jeff Smith called Intrepid’s Oleanna the “best acted” production of the play he had seen. “Gercke and VanWormer are both excellent,” he said. “Their tandem work is truly impressive.”
Fran, who played John, credits Christy with this sense of unity and co-creation.
“The most striking qualities of her direction and leadership are her patience and generosity,” he says. “She’s always willing to listen, to patiently guide, to eagerly collaborate. It’s a unique and rare combination in any director – confidence and humility.”
“We had standing room only and super full houses at the end of the run last summer. It was a brand new thing that, for all intents and purposes, I made up in my head, so I wanted to give it the chance to evolve,” says Christy.
The show involves intertwining Shakespeare’s woodland comedy with music from the 1960s, a pairing that turned out to be tremendously successful and inspiring for both the directors and the actors.
“We learned really early on with King John how well modern music underscores Shakespeare plays,” Christy explains. “We’ve had amazing soundtracks with every Shakespeare play we’ve done which led to the evolution of the musical.”
The Examiner called it “one of the most innovative success stories of a theatre company.” Jeff Smith agreed, saying “this musical deserves a long life after this excellent production” and encouraged Intrepid to “take it on the road.”
Midsummer ran in tandem with the first appearance of Camp Intrepid, a summer camp run by Sean and Intrepid Artistic Associate Erin Petersen featuring youth programs in Shakespeare and musical theatre. By day, the theatre was filled with kids working on improvisation activities and pirate musicals. By night, audiences would stream in to enjoy a little Bard-inspired doo wop by the professionals.
Needless to say, when Midsummer closed in late August and camp sessions came to an end, Sean and Christy finally found time to do the things they had been putting off all year – like sleep.
“It’s encouraging to us when we have people who believe in what we’re doing and want to be a part of it,” says Christy. “It means the absolute world to us, because we do work ridiculously hard. We work harder than anyone could imagine.”
Sean agrees, and is quick to give props to his wife. “Intrepid’s productions have been a great success both critically and with audiences and that is specifically due to Christy’s directing, leadership, and artistic vision.”
The hard work has certainly paid off. There is already a ten-year plan in place and neither Sean nor Christy has any intention of slowing the pace of the company’s breakneck growth.
Of course, looking back on the little girl who once produced an entire valentine tragedy in grade school, it isn’t entirely that surprising.
“All the things in the past,” says Christy, “you don’t realize it at the time, but all of these things connect. You only know it when you’re looking back.”
– Tiffany Tang
Macbeth will open in January 2014. Tickets available now.
How does a summer full of playing Shakespeare, creating stage makeup masterpieces, and mastering stage combat choreography sound? Or perhaps putting together a musical number is more your style? A little improvisation or dance? Or maybe watching your technical vision of a show come to life with one of the most state-of-the-art lighting grids in the city?
If you are between the ages of 8 and 18, your summer of theatre fun starts with Intrepid Shakespeare Company!
CAMP INTREPID lands in Encinitas this month, hosted by the San Dieguito Academy Foundation and the critically-acclaimed professional theatre company. Sessions begin June 17 in Shakespeare, Musical Theatre, Backstage, and Theatre Showcase for Young Actors. And now, Intrepid Shakespeare is pleased to announce that there are full and partial scholarships for summer campers, courtesy of City of Encinitas and Mizel Family Foundation Community Grant Program! (Interested campers should apply immediately using the CAMP INTREPID Scholarship Form, as the number of scholarships is limited.)
“We know how important it is to provide the younger generation with access to the arts,” said Producing Artistic Director Christy Yael. “We just want to be sure that we are reaching everyone who is interested and give them the opportunity to be involved.” Artistic Director Sean Cox has been equally clear about the importance of Intrepid’s mission to expose students to the arts, attributing his lifelong involvement in the theatre to interests that were nurtured at summer drama camps. “We know what kind of memories and experiences they can build,” he said.
Joining Intrepid’s core of teaching artists, visiting professionals from the Old Globe, La Jolla Playhouse, Lamb’s Players Theatre, and other major regional theatre companies will also teach specific sessions in a variety of theatrical areas, including fight choreography, stage makeup, movement, and audition technique. Each camping session ends with a performance.
Due to popular demand, Intrepid has also announced that an additional Musical Theatre Camp has been added to the summer schedule. High school-aged drama students have the opportunity to rehearse and perform 25th Annual Putnam County Spelling Bee, while the younger drama campers (ages 8-16) can now participate in an earlier summer session which will culminate in a performance of the musical You’re A Good Man, Charlie Brown.
Registration is now open for the following sessions:
Young Actors Theatre Camp
Hours: 9am to 3pm
June 17-21; July 8-12; July 15-19
In a fun and creative environment, campers develop theatre skills, gain confidence and develop social skills through collaboration and performance. Professional teaching artists lead classes focused on acting, singing, scene study, fight choreography, dance, improv, stage makeup, and mask work. The week will culminate in a showcase performance for friends and family. The campers will be divided into two age groups: 8-11 & 12-15. This is the perfect week-long camp for students with varying degrees of theatre experience, from zero to intermediate.
Early Drop-off and Extended Day Programs are available for the Young Actors theatre camp. You may pay in person by cash or check on the first day of camp but you must pre-register for these extra services. Campers may be dropped off as early as 8:00am and must by picked up by 5:00pm.
Early Drop-Off / Weekly rate $40 ($8/day) or $10 drop-in
Extended Day / Weekly rate $50 ($10/day) or $15 drop-in
For more details about the early drop-off and extended day programs, please visit the Frequently Asked Questions page.
Musical Theatre Camp:
“You’re A Good Man Charlie Brown”
Hours: 9am to 3pm
July 22 – Aug 2
Duration: Two Weeks
Campers will be cast in and rehearse a musical (You’re A Good Man Charlie Brown) that will be performed at the end of the two week session. Throughout the rehearsal process, professional guest artists will be brought in to mentor and work with the campers on audition technique, acting a song, character movement, dance and more. The professional guest artists hail from such organizations as La Jolla Playhouse, The Old Globe Theatre, Moonlight Stage Productions, Lamb’s Players Theatre, and Cygnet Theatre.
Musical Theatre Camp:
“25th Annual Putnam County Spelling Bee”
Hours: 9am to 3pm
Duration: Two Weeks
Campers will be cast in and rehearse a musical (25th Annual Putnam County Spelling Bee) that will be performed at the end of the two week session. Throughout the rehearsal process, professional guest artists will be brought in to mentor and work with the campers on audition technique, acting a song, character movement, dance and more. The professional guest artists hail from such organizations as La Jolla Playhouse, The Old Globe Theatre, Moonlight Stage Productions, Lamb’s Players Theatre, and Cygnet Theatre.
Shakespeare Camp: ”Romeo and Juliet”
Hours: 9am to 3pm
July 22 – Aug 2
Duration: Two Weeks
Campers will be cast in and rehearse a Shakespeare play (Romeo and Juliet) that will be performed at the end of the two week session. Throughout the rehearsal process, professional guests artists will be brought in to mentor and work with the campers on fight choreography, advanced acting, voice and speech, character movement, audition technique, and more. The professional guest artists hail from such organizations as The Old Globe Theatre, La Jolla Playhouse, Kingsmen Shakespeare Company, Texas Shakespeare Festival, and Intrepid Shakespeare Company.
Don’t forget to apply for available scholarships! See you all this summer!